H
IGH SCHOOL ENGLISH/LANGUAGE ARTS STANDARDS
(New Standards Performance Standards)
The elementary school standards are set at a level of performance approximately
equivalent to the end of the fourth grade. The middle school standards are set at a level
of performance approximately equivalent to the end of the eighth grade. The high school
standards are set at a level approximately equivalent to the end of the tenth grade. It is
expected that some students might achieve these levels earlier and others later than these
grades.
An array of work is required to achieve any single standard. The work becomes
increasing refined and sophisticated as students get older. The complexity of the tasks
used to generate the work also increases. This notion of requiring students to hone the
sophistication of their performances while simultaneously working with increasingly
complex assignments cuts across all the English Language Arts Standards.
These standards allow for oral performances of student work whenever appropriate.
Much writing can be classified as belonging to the public arena. New Standards,
however, defines public documents to mean those pieces of text that are concerned with
public policy, that address controversial issues confronting the public, or that arise in
response to controversial issues or public policy. Public documents are included in the
Reading standard at middle school level (E1d) and constitute a separate standard at the
high school level (E6). At the middle school level, the issues students write about come
primarily from the school or local community. At high school, student should address
issues, which are of national importance.
Functional writing is writing that exists in order to get things done. Functional
writing is ordinarily considered technical writing, and, as such, is often not part of the
typical English curriculum. New Standards requires students to demonstrate proficiency
with functional writing because such writing is of increasing importance to the complex
literacy of our culture. Functional documents are included in the Reading standard at
middle school level (E1e) and constitute a separate standard at the high school level
(E7).
The number of books required for E1a does not increase as students get older, but the
length and complexity of what is read does increase (as indicated by the sample reading
lists), so, this standard becomes increasingly formidable.
E1a assumes an adequate library of appropriate reading material. In some places,
library resources are too meager to support the amount of reading required for every
student to achieve this standard. Where a shortage of books exists, better use of
out-of-school resources must be made; for example, students may have to be assured access
to local or county libraries.
Reading twenty-five books a year entails a substantial amount of time. Students may use
materials read in conjunction with their regular class work, including courses other than
English, to satisfy this requirement.
E1. Reading/E6. Public Documents/E7. Functional Documents
E1a. The student reads at least twenty-five books or book
equivalents each year. The quality and complexity of the materials to be read are
illustrated in the sample reading list. The materials should include traditional and
contemporary literature (both fiction and non-fiction) as well as magazines, newspapers,
textbooks, and on-line materials. Such reading should represent a diverse collection of
material from at least three different literary forms and from at least five different
writers.
E1b. The student reads and comprehends at least four books (or
book equivalents) about one issue or subject, or four books by a single writer, or four
books in one genre, and produces evidence of reading that:
- makes and supports warranted and responsible assertions about the texts;
- supports assertions with elaborated and convincing evidence;
- draws the texts together to compare and contrast themes, characters, and ideas;
- makes perceptive and well developed connections;
- evaluates writing strategies and elements of the authors craft.
E1c. The student reads and comprehends informational materials to
develop understanding and expertise and produces written or oral work that:
- restates or summarizes information;
- relates new information to prior knowledge and experience;
- extends ideas;
- makes connections to related topics or information.
E6. Public Documents
E6a. The student critiques public documents with an eye to
strategies common in public discourse, including:
- effective use of argument;
- use of the power of the anecdote;
- anticipation of counter-claims;
- appeal to audiences both friendly and hostile to the position presented;
- use of emotionally laden words and imagery;
- citing of appropriate references or authorities.
E6b. The student produces public documents, in which the student:
- reports, organizes, and conveys information and ideas accurately;
- includes relevant narrative details, such as scenarios, definitions, and examples;
- anticipates readers problems, mistakes, and misunderstandings;
- uses a variety of formatting techniques, such as headings, subordinate terms,
foregrounding of main ideas, hierarchical structures, graphics, and color;
- establishes a persona that is consistent with the documents purpose;
- employs word choices that are consistent with the persona and appropriate for the
intended audience.
E7. Functional Documents
E7a. The student critiques
functional documents with an eye to strategies common to effective functional documents,
including:
- visual appeal, e.g., format, graphics, white space, headers;
- logic of the sequence in which the directions are given;
- awareness of possible reader misunderstandings.
E7b. The student produces functional
documents appropriate to audience and purpose, in which the student;
- reports, organizes, and conveys information and ideas accurately;
- includes relevant narrative details; such as scenarios, definitions, and examples;
- anticipates readers' problems, mistakes, and misunderstandings;
- uses a variety of formatting techniques, such as headings, subordinate terms,
foregrounding of main ideas, hierarchical structures, graphics, and color;
- establishes a persona that is consistent with the document's purpose;
- employs word choices that are consistent with the persona and appropriate for the
intended audience.
Fiction
| Carroll, Alice in Wonderland; |
Lee, To Kill a Mockingbird; |
| Cisneros, The House on Mango Street; |
McCullers, The Heart is a Lonely Hunter; |
| Clark, The Ox-Bow Incident; |
Orwell, 1984; |
| Golding, Lord of the Flies; |
Paulsen, Canyons; |
| Hawthorne, The Scarlet Letter; |
Portis, True Grit; |
| Hemingway, For Whom the Bell Tolls; |
Potok, Davitas Harp; |
| Hentoff, The Day They Came to Arrest the Book; |
Stoker, Dracula; |
| Hilton, Goodbye, Mr. Chips; |
Wartski, A Boat to Nowhere; |
| Kinsella, Shoeless Joe; |
Welty, The Golden Apples. |
| Knowles, A Separate Peace; |
|
Non-Fiction
| Angel, Late Innings; |
Houston, Farewell to Manzanar; |
| Angelou, I Know Why the Caged Bird Sings; |
Kennedy, Profiles in Courage; |
| Ashe, Days of Grace; |
Kingsley and Levitz, Count Us In: Growing Up With Down
Syndrome; |
| Beal, "I Will Fight No More Forever": Chief
Joseph and the Nez Perce Way; |
Kingston, Woman Warrior; |
| Bishop, The Day Lincoln Was Shot; |
Mazer, ed., Going Where Im Coming From; |
| Bloom, The Closing of the American Mind; |
Momaday, The Way to Rainy Mountain; |
| Campbell, The Power of Myth; |
Rodriguez, Hunger of Memory; |
| Covey, Seven Habits of Highly Effective People; |
Sternberg, Users Guide to the Internet; |
| Galarza, Barrio Boy; |
Wright, Black Boy. |
| Hawking, A Brief History of Time; |
|
Poetry
| Angelou, I Shall Not be Moved; |
Hughes, Selected Poems; |
| Bly, ed., News of the Universe; |
Knudson and Swenson, eds., American Sports Poems |
| Carruth, ed., The Voice That Is Great Within Us; |
Longfellow, Evangeline; |
| Cummings, Collected Poems; |
Randall, ed., The Black Poets; |
| Dickinson, Complete Poems; |
Wilbur, Things of This World. |
Drama
| Christie, And Then There Were None; |
Rostand, Cyrano de Bergerac; |
| Hansberry, A Raisin in the Sun; |
Shakespeare, Romeo and Juliet; Julius Caesar; |
| McCullers, The Member of the Wedding; |
Van Druten, I Remember Mama; |
| Pomerance, The Elephant Man; |
Wilder, The Skin of Our Teeth; |
| Rose, Twelve Angry Men; |
Wilson, The Piano Lesson. |
Folklore/Mythology
| Burland, North American Indian Mythology; |
Stewart, The Crystal Cave; |
| Evslin, Adventures of Ulysses; |
White, The Once and Future King. |
| Pinsent, Greek Mythology; |
|
Modern Fantasy and Science Fiction
| Adams, Watership Down; |
Herbert, Dune; |
| Asimov, Foundation; |
Lewis, Out of the Silent Planet; |
| Bradbury, The Martian Chronicles; |
McCaffrey, Dragonflight; |
| Clarke, 2001: A Space Odyssey; |
Twain, A Connecticut Yankee in King Arthurs Court |
| Clarke, Childhoods End; |
Verne, 20,000 Leagues Under the Sea. |
| Frank, Alas, Babylon; |
|
Magazines/Periodicals
| Literary Cavalcade (Scholastic); |
Smithsonian; |
| National Geographic; |
Sports Illustrated; |
| Newsweek; |
Time. |
| Omni: |
|
Other
Computer manuals; instructions; contracts, technical materials.
E2. Writing
E2b is meant to replace the repertoire of responses that students traditionally write
when they respond to literature. This type of response requires an understanding of
writing strategies.
The work students produce to meet the English/Language Arts standards does not all have
to come from an English class. Students should be encouraged to use work from subjects in
addition to English to demonstrate their accomplishments. The work samples include some
examples of work produced in other classes that meet requirements of these standards.
E2a. The student produces a report that:
- engages the reader by establishing a context, creating a persona, and otherwise
developing reader interest;
- develops a controlling idea that conveys a perspective on the subject;
- creates an organizing structure appropriate to purpose, audience, and context;
- includes appropriate facts and details;
- excludes extraneous and inappropriate information;
- uses a range of appropriate strategies, such as providing facts and details, describing
or analyzing the subject, narrating a relevant anecdote, comparing and contrasting,
naming, explaining benefits or limitations, demonstrating claims or assertions, and
providing a scenario to illustrate;
- provides a sense of closure to the writing.
E2b. The student produces a response to literature that:
- engages the reader through establishing a context, creating a persona, and otherwise
developing reader interest;
- advances a judgment that is interpretive, analytic, evaluative, or reflective;
- supports a judgement through references to the text, references to other works, authors,
or non-print media, or references to personal knowledge;
- demonstrates an understanding of the literary work through suggesting an interpretation;
- anticipates and answers a readers questions;
- recognizes possible ambiguities, nuances, and complexities;
- provides a sense of closure to the writing.
E2c. The student produces a narrative account (fictional or
autobiographical) that:
- engages the reader by establishing a context, creating a point of view, and otherwise
developing reader interest;
- establishes a situation, plot, point of view, setting, and conflict (and for
autobiography, the significance of events and of conclusions that can be drawn from those
events);
- creates an organizing structure;
- includes sensory details and concrete language to develop plot and character;
- excludes extraneous details and inconsistencies;
- develops complex characters;
- uses a range of appropriate strategies, such as dialogue, tension or suspense, naming,
and pacing, and specific narrative action, e.g., movement, gestures, expressions;
- provides a sense of closure to the writing.
E2d. The student produces a narrative procedure that:
- engages the reader by establishing a context, creating a persona, and otherwise
developing reader interest;
- provides a guide to action for a complicated procedure in order to anticipate a
readers needs; creates expectations through predictable structures, e.g., headings;
and provides smooth transitions between steps;
- makes use of appropriate writing strategies such as creating a visual hierarchy and
using white space and graphics as appropriate;
- includes relevant information;
- excludes extraneous information;
- anticipates problems, mistakes, and misunderstandings that might arise for the reader;
- provides a sense of closure to the writing.
E2e. The student produces a persuasive essay that:
- engages the reader by establishing a context, creating a persona, and otherwise
developing reader interest;
- develops a controlling idea that makes a clear and knowledgeable judgment;
- creates and organizes a structure that is appropriate to the needs, values, and
interests of a specified audience, and arranges details, reasons, examples, and anecdotes
effectively and persuasively;
- includes appropriate information and arguments;
- excludes information and arguments that are irrelevant;
- anticipates and addresses reader concerns and counter-arguments;
- supports arguments with detailed evidence, citing sources of information as appropriate;
- uses a range of strategies to elaborate and persuade, such as definitions, descriptions,
illustrations, examples from evidence, and anecdotes;
- provides a sense of closure to the writing.
E2f. The student produces a reflective essay that:
- engages the reader by establishing a context, creating a persona, and otherwise
developing reader interest;
- analyzes a condition or situation of significance;
- develops a commonplace, concrete occasion as the basis for the reflection, e.g.,
personal observation or experience;
- creates an organizing structure appropriate to purpose and audience;
- uses a variety of writing strategies, such as concrete details, comparing and
contrasting, naming, describing, creating a scenario;
- provides a sense of closure to the writing.
E3. Speaking, Listening and Viewing
E3a. The student participates in one-to-one conferences with a
teacher, paraprofessional, or adult volunteer, in which the student:
- initiates new topics in addition to responding to adult-initiated topics;
- asks relevant questions;
- responds to questions with appropriate elaboration;
- uses language cues to indicate different levels of certainty or hypothesizing, e.g.,
"what if
," "very likely
," "Im unsure
whether
";
- confirms understanding by paraphrasing the adults directions or suggestions.
E3b. The student participates in group meetings, in which the
student:
- displays appropriate turn-taking behaviors;
- actively solicits another persons comment or opinion;
- offers own opinion forcefully without dominating;
- responds appropriately to comments and questions;
- volunteers contributions and responds when directly solicited by teacher or discussion
leader;
- gives reasons in support of opinions expressed;
- clarifies, illustrates, or expands on a response when asked to do so; asks classmates
for similar expansions;
- employs a group decision-making technique such as brainstorming or a problem-solving
sequence (e.g., recognize problem, define problem, identify possible solutions, select
optimal solution, implement solution, evaluate solution).
- divides labor so as to achieve the overall group goal efficiently.
E3c. The student prepares and delivers an individual presentation
in which the student:
- shapes information to achieve a particular purpose and to appeal to the interests and
background knowledge of audience members;
- shapes content and organization according to criteria for importance and impact rather
than according to availability of information in resource materials;
- uses notes or other memory aids to structure the presentation;
- develops several main points relating to a single thesis;
- engages the audience with appropriate verbal cues and eye contact;
- projects a sense of individuality and personality in selecting and organizing content,
and in delivery.
E3d. The student makes informed judgments about television,
radio, and film productions; that is, the student:
- demonstrates an awareness of the presence of the media in the daily lives of most
people;
- evaluates the role of the media in focusing attention and in forming opinion;
- judges the extent to which the media are a source of entertainment as well as a source
of information;
- defines the role of advertising as part of media presentation.
E3e. The student listens to and analyzes a public speaking
performance; that is, the student:
- takes notes on salient information;
- identifies types of arguments (e.g., causation, authority, analogy) and identifies types
of logical fallacies (e.g., ad hominem, inferring causation from correlation,
over-generalization);
- accurately summarizes the essence of each speakers remarks;
- formulates a judgment about the issues under discussion.
E4. Conventions, Grammar, and Usage of the English Language
E4a. The student independently and habitually demonstrates an
understanding of the English language in written and oral work, and selects the structures
and features of language appropriate to the purpose, audience, and context of the work.
The student demonstrates control of:
- grammar;
- paragraph structure;
- punctuation;
- sentence construction;
- spelling;
- usage.
E4b. The student analyzes and subsequently revises work to
clarify it or make it more effective in communicating the intended message or thought. The
students revisions should be made in light of the purposes, audiences, and contexts
that apply to the work. Strategies for revising include:
- adding or deleting details;
- adding or deleting explanations;
- clarifying difficult passages;
- rearranging words, sentences, and paragraphs to improve or clarify meaning;
- sharpening the focus;
- reconsidering the organizational structure;
- rethinking and/or rewriting the piece in light of different audiences and purposes.
E5. Literature
E5a. The student responds to non-fiction, fiction, poetry, and
drama using interpretive, critical, and evaluative processes; that is, the student:
- makes thematic connections among literary texts, public discourse, and media;
- evaluates the impact of authors decisions regarding word choice, style, content,
and literary elements;
- analyzes the characteristics of literary forms and genres;
- evaluates literary merit;
- explains the effect of point of view;
- makes inferences and draws conclusions about fictional and non-fictional contexts,
events, characters, settings, themes, and styles;
- interprets the effect of literary devices, such as figurative language, allusion,
diction, dialogue, description, symbolism;
- evaluates the stance of a writer in shaping the presentation of a subject;
- interprets ambiguities, subtleties, contradictions, ironies, and nuances;
- understands the role of tone in presenting literature (both fictional and
non-fictional):
- demonstrates how literary works (both fictional and non-fictional) reflect the culture
that shaped them.
E5b. The student produces work in at least one literary genre
that follows the conventions of the genre.
Return to Table of Contents